Pedálová hra v Bachovi; všetko špicou alebo?

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    https://doi.org/10.54937/ssf.2023.22.4.32-41

    Autor/ Author: David di Fiore https://www.ku.sk/cms/assets/images/iconORCID.png

    In: Studia Scientifica Facultatis Paedagogicae Universitas Catholica Ružomberok

    ISSN: 1336-2232

    Ročník/ Volume: XXII.

    Číslo/ Issue: 4

    Strany/ Page Range: 32-41

    Rok vydania/ Publication Year: 2023

    Jazyk/ Language: English

    Vydavateľ/ Publisher: VERBUM – vydavateľstvo Katolíckej univerzity v Ružomberku

    Abstrakt/ Abstract: Currently, many instructors of organ playing are teaching that all toe pedaling without the use of the heel is the only possible method for pedaling in the organ works of J. S. Bach. While that may be the current thinking, it is necessary to examine all of the sources available, and also to use rational thinking when deciding whether or not to use toes, heels, or a combination of them. This article will examine the issue, and when it may be preferable to use a heel depending on what the music itself is doing, and a variety of other factors.

    Kľúčové slová/ Keywords: Pedaling. J. S. Bach. Toe. Heel. Baroque pedal board.

    Citácia/ How to cite:

    DI FIORE, David, 2023. Pedaling in Bach; All Toes or? Studia Scientifica Facultatis Paedagogicae Universitas Catholica Ružomberok. Online. Vol. XXII., no. 4, pp. 32-41. ISSN 1336-2232. Available from: https://doi.org/10.54937/ssf.2023.22.4.32-41

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    Toto dielo je publikované pod/ This work is licensed under a Creative Commons Attribution 4.0 International License.