The Meaning of Early Renaissance Architectural Sculpture at Lombard and Moravian Artistic Periphery

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https://doi.org/10.54937/kd.2023.14.2.132-161

Autor/ Author: Petr Čehovský

In: Kultúrne dejiny

ISSN: 1338-2209 (Print)

ISSN: 2989–3313 (Online)

Ročník/ Volume: 14

Číslo/ Issue: 2

Strany/ Page Range: 132-161

Rok vydania/ Publication Year: 2023

Jazyk/ Language: Czech

Vydavateľ/ Publisher: VERBUM – vydavateľstvo Katolíckej univerzity v Ružomberku

Abstrakt/ Abstract: This case study examines the importance of artistic periphery in the field of early Renaissance architectural sculpture in the years circa 1480 – 1550. The Renaissance style spread to Central Europe especially from Italy. In the older historical art literature opinions often emerged that Central European stonemasons did not understand the principles of Italian Renaissance art, and because of this misunderstanding they combined Renaissance style with Gothic. The author has undertaken long-lasting terrain research of early Renaissance architectural sculpture in one Central European and one Italian region of artistic periphery: the Moravian part of the Dyje valley and Val Camonica in Lombardy. In both regions were very elaborately stylistically examined stone decorations of architecture in the years circa 1480 – 1550. When the information about client´s social status, travel itinerary was known, also the influence of client on the style of architectural sculpture was researched. On the basis of terrain research, the author comes to the conclusion that stonemasons in the Moravian part of the Dyje valley in the time of early Renaissance created architectural sculptures in the same styles that Italian artists in Val Camonica did: Romanesque Renaissance, a mixed style combining Gothic with Renaissance, early Renaissance architectural sculptures closely following the antique models, early Renaissance architectural sculptures created as an innovative modification of antique models.

Kľúčové slová/ Keywords: Architecture, Stone Sculpture, Lombardy, Val Camonica, Moravia, Dyje Valley. Renaissance, Artistic Periphery.

Citácia/ How to cite:

ČEHOVSKÝ, Petr, 2023. Význam raně renesanční architektonické skulptury na lombardské a moravské umělecké periferii. Kultúrne dejiny. Online. Roč. 14, č. 2, s. 132-161. ISSN 1338-2209 (Print). ISSN 2989–3313 (Online). Dostupné na: https://doi.org/10.54937/kd.2023.14.2.132-161

Toto dielo je publikované pod/ This work is licensed under a Creative Commons Attribution 4.0 International License.